Last December I made a video for you all showing how to make polymer clay cell phone holders. If you haven’t made them yet you should know that they were and are a big hit. My husband, sons and I all still use ours. They’re just a really great design with a small footprint and easy to use.
At the time I made a steampunk texture sheet to texture my husband’s. Several of you have asked me to show you how I made the texture sheet, and that’s what this video is all about.
You may need to experiment with the thickness of clay that you use in your pasta machine to get the best impression. One thing I’ve found that I can’t quite figure out is that the shapes tend to elongate and stretch as they run through the pasta machine, even if I keep the two pieces separate right before they hit the rollers I still end up with oval-shaped gears. Just gently stretching the clay in the opposite direction will round them back out again.
I love making my own texture sheets because I know that this makes my projects completely unique. Of course, you don’t have to just use gears and make steampunk texture. Try using all manner of household objects. How about paperclips? Or nuts and bolts? Impressions from cutlery such as forks, knives and spoons? I’ve even seen some really cool texture sheets made using pasta!
So I hope you have fun, take this idea and run with it and make it your own.
When I first started this, the sixth of the polymer clay figure sculptures I challenged myself to make in 2017, I planned to make her patterned after the final of the neighborhood kids in Maureen Carlson’s book How to Make Clay Characters. But I was getting a bit bored and decided to make my girl steampunk style.
As with all of the neighborhood kids projects, I started with the shoes, or in this case, the boots. I don’t know why but I’ve found I really love adding all the details to the footwear.
Once I got the boots done I realized that my proportions were going to be different from the figure in Maureen’s book. After studying rules of body proportions I proceeded to make her legs, and then added her skirt and petticoats.
From the base of the box to the top of her hat Savina is 7 inches tall. If she were to stand up, she’d be about 10 inches tall.
The petticoat ruffles are strips of white clay that were cut on one edge with a wavy blade. I used a dotting tool to make them look more like lace.
Although I love the color and the pearly shimmer of the skirt, every time I look at it I wish I had added some texture. Something to remember next time, texture everything!
My decades as a seamstress came in handy when planning, drafting and fitting her “leather” corset.
Those puffy white sleeves were the trickiest part of the entire project. Try to picture how you would texture the clay, gather and shape it to look like a puffy sleeve and then press it into place on the figure without smashing any of the texture or gathers or shape!
It was at this point I realized that my figure was large enough that I should have started off with an armature as a base. The neighborhood kids are small enough that they don’t require an armature except perhaps a couple toothpicks on the inside for supports. This little girl would’ve been a lot easier if I had made her body first and then fitted the clothes. Instead I found myself doing it rather backwards, having to sculpt and smooth the skin of her neck around the neckline of her blouse rather than just draping the blouse over her body.
I did save myself some of the difficulty of sculpting hands by deciding that she was going to wear leather gloves, really LONG leather gloves. 😀
I was thrilled that the “suede” strips twisted up and around the gloves came out looking like real suede.
When it came time to do the face I decided that the simplistic faces from the neighborhood kids really wouldn’t suit the style of this project and so I moved on to Maureen’s next tutorial in the book and based my face on the more realistic faces that she taught. I’m fairly pleased with how the face came out, although, even after removing a lot of clay the nose is still three times larger than I wanted it to be. There’s always next time!
Instead of making clay hair I decided to use some alpaca wool I had bought a while ago for doll making. The nice thing about this wool is that it’s very fine so the scale is good for dolls. Also, it can be styled similarly to human hair. I used mousse and a curling iron. I’m not much of a hair stylist but it came out okay.
Making the top hat was a lot of fun. It was a bit of a challenge to get the shape just right, but once I figured it out I had a blast decorating it with all kinds of bits and pieces from my stash. You might notice, especially if you read the title of this post, that there is not a single gear in sight. Even without the gears it’s apparent that she’s a steampunk girl, which goes to show you that steampunk is about more than just gears. 🙂
This figure is so large and so complicated that she is going to have to suffice for #’s 6, 7 and 8 as I just don’t have time and need to move on to other projects which are more of my bread-and-butter. Priorities, you know!
So yeah, only one figure for March and one figure for April. I’m a little disappointed in that, but not going to stress about it. Instead I am going to move on to my next project with which is creating another class for you guys to enjoy. I’m excited about this project and hope you’ll love it once I get it done.
I’m also working on an email newsletter to better keep you informed on what’s going on with all my classes, videos, projects and such. More on that soon. So, yeah, busy, busy!
I’ve seen a lot of these pendants lately with some combination of a bird, branch, nest and heart and decided it was time to make one myself.
All of these pieces are fairly simple to sculpt so even if you’ve never used polymer clay before I hope you’ll give it a try! Put all the simple components together and I think they make a fun and unique pendant. Here’s the link if you would like to use my heart template.
In this week’s video I show you how to make the bird and the branch. Next week we’ll create the steampunk heart and put it all together.
Doyle started out as an aluminum foil body and neck. That not only saves on clay but makes the baking time for a larger sculpture more reasonable. The thickest part of his body is 2 inches thick, and baking at 30 minutes for every 1/4-inch would mean four hours of baking!
He still needed 90 minutes because of the 3/4-inch thickness of his tail.
Doyle is about 6 inches from his nose to the bend in his tail, and 5 inches tall from the table to the tips of his horns.
Click on any of the photos for a closer look.
I shared this image on Instagram on Monday, giving a sneak peek of his tail at the top. 🙂
My friends who repair clocks for a living were kind enough to give me a box full of old parts and pieces. I sorted them all into this box.
It’s kind of a fun challenge to dig through and decide what can be used where.
For the metallic colors I used Perfect Pearls and Gilder’s Pastes.
The wings came out amazing, imho. 😀 The clock hands bent slightly, so I could give each wing a bit of a curve.
That cool square texture on the wings is from a sanding mesh, found in the paint section. It’s fun to poke around in the hardware store and then bring this weird assortment of things to the checkout. The guys just look at me, certain I have no idea what I’m doing. haha
Isn’t he the cutest thing with his funny goggles and windup tail?